d. Tomu Uchida
c. Japan
y. 1971
description:
"This film, based on a novel by Eiji Yoshikawa, details exploits in the life of the legendary swordsman Musashi Miyamoto. Musashi, whose life has been the subject of countless Japanese novels, developed the art of swordsmanship to a very high level and is thought to have originated a technique involving the use of two swords, though Musashi's own writings make no reference to this technique. In the story, a fighter using chains and sickles as weapons joins with eight allies to avenge himself on Musashi." (AMG)
IMDB... 6.0 (12)
_AMG... 2.5 / 5.0
size: 700MB
qlty: DVD
subs: yes
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Showing posts with label Tomu Uchida. Show all posts
Showing posts with label Tomu Uchida. Show all posts
Swords of Death
The Duel Against Yagyu
Killing in Yoshiwara
d. Tomu Uchida
c. Japan
y. 1960
description:
"I saw this when I lived in New York. It was wide-screen and cinemascope, and was shown at the Japan Society in a series. It was about a unscrupulous girl who marries a man with a birthmark and claws her way to the top. Every scene was just right, including the incredible finale. Although I tried to convince other movie buffs to go to the second screening, the prospect of a Saturday morning movie was just too much for them. I went, though. Sort of like Fritz Lang or Ophuls in Japan. Gorgeous. My first choice for what I'd love to show on video or DVD (in widescreen, of course)." (IMDB Comment)
IMDB... 7.8 (39)
_AMG... n/a
size: 700MB
qlty: DVD
subs: ?
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Miyamoto Musashi
A Bloody Spear on Mount Fuji
d. Tomu Uchida
c. Japan
y. 1955
description:
"A Bloody Spear on Mt Fuji's plot is basic; a group of travellers (Samurai and two servants, shamisen player and daughter, highway policeman, thief, miner) interact and become closer through stressful and comedic situations (also, some tragedy). Ostensibly a road movie, a lot of the interaction and activity takes place in inns and city streets, very little on roads (though what does is memorable, such as Gonpachi becoming acquainted with an young orphan boy admirer.) Most of the plot revolves around the samurai, whose character reminds one of Yamanaka taking a stand against society and paying the price. I wonder if this inference was an accident (Yamanaka made popular films that questioned the status quo in the 30s, was sent to Manchuria and died at the front shortly after; only three of his films survive today.) There are many great moments in the film, which is as comedic in dialogue as it is in editing and tone. Daisuke Kato plays one of the servants, and his sake drinking and philosophizing scenes are everyman humor at its best. The playful looks, dialogue, and subtle attraction between the shamisen player and Gonpachi (Chiezo Katoaka), lords sitting on a busy highway to Edo shutting down traffic for a tea ceremony, and the lancer's final battle all stick close to my memory. I can't think of any other postwar Samurai film that does this kind of action, comedy, and drama as entertainingly (my favorite postwar jidai-geki films are the Anti-Samurai ones, such as Okamoto's Sword of Doom)." (IMDB Comment)
IMDB... 8.0 (62)
_AMG... n/a
size: 700MB
qlty: DVD
subs: yes
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